"…for within the
hollow crown that rounds the mortal temples of a king keeps death his
court…" ~ Shakespeare, Richard II
While I try to keep this little corner of the internet
relatively apolitical, even the most politically inactive, apathetic or
far-removed of us has had cause to gape in awestruck disbelieve at the campaigns
being run for the nomination for President of the United States. With soundbites and speeches that sound like
satire, and countless elegant and not-so-elegant take downs - of suitability, honesty,
intelligence, basic decency, even business savvy-apparently doing little to
stem the incomprehensible popularity, I have done what I always do when despair
hits I go to the movies.
Richard III - "Richard III" (1995)
As icy as Ian McKellen's blue-eyed stare, this brilliant version of Shakespeare's "Richard III," updated to a parallel 1930s fascist Britain, must rank among the chilliest films ever made.
As icy as Ian McKellen's blue-eyed stare, this brilliant version of Shakespeare's "Richard III," updated to a parallel 1930s fascist Britain, must rank among the chilliest films ever made.
President Judson Hammond - “Gabriel Over The White House”
(1933)
Anyone looking for an insight into the mindset the last time
that the world saw the rise of an unstoppable powerful authoritarian,
totalitarian leader could do a lot worse than to watch Gregory La Cava’s utterly bonkers 1933
curio “Gabriel Over The White House”.
Idi Amin - "The Last King Of
Scotland" (2006)
"The Last King of Scotland" is a bruising and
brutal experience. But it's not just in tracking the rise of Amin, who would
suspend the country's constitution, establish a military dictatorship and go on
to murder 300,000 of his countrymen, that the story is valuable. With its
fictionalized elements, it also becomes an intelligent dissection of the kind
of willful blindness that can afflict those nearest to the intoxicating influence
of absolute power.
Adenoid Hynkel - "The Great Dictator" (1940)
Comparing anyone to Adolf Hitler is a fool's errand, an
example of the kind of hyperbole that says less about the one so accused than
the person doing the accusing. So I am going to focus on Adenoid Hynkel
instead. The centerpiece of Charlie Chaplin's 1940
masterpiece, Hynkel is a not-at-all-veiled approximation of Der Führer right
down to mustache, murderously short temper and megalomaniacal desires.