We could see the pitched green roof of the carousel through the bare branches, but it was not in use. The tennis courts were empty, the fountains dry, the waffle stand was shuttered, the courts lay under a crust of snow, and the only evidence of life was, in fact, the passionate young couple-if, indeed, they were young-an assumption one shouldn’t make of the lovers in Paris parks. Clive studied the two fair heads and the four slim legs, intrigued but a little doubtful.
There are no rules about people hugging in the Luxembourg. Two of you may share a single garden chair, entwined like the figures in a Moghul painting. You may also pull two chairs to make an impromptu divan. You may strike the classic cinematic pose, in full view of the Senate and its armed guards. You may stop suddenly, in the middle of a path, in the middle of a sentence, to fling your arms around each other, obstructing the passage of strollers-who will make a silent, uncomplaining detour around you. You may kiss and snuggle at a café table, perched on the rim of a fountain, or astride a balustrade, or pressed against a chestnut tree, or on a bench inside the children’s playground-provided, you have paid your entrance fee, and you have a child with you.
You may not, however, take any sort of pleasure, innocent or guilty, onto the grass.
The tulips grow in perfect weed less beds.
Did he remember that year in Paris? I ask. He said that he did, he would dream of the Luxembourg, and when he returned, the smell of hyacinths, waffles, and gitanes, jogged his memory.
One of the delights of having played in the Luxembourg Gardens as a child is the Proustian glamour of being able to claim that one did so.
Clive, thanks for the memories.
6 comments:
no, thank YOU.
that lucky boy
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